Archive for the ‘André Courrèges’ Category

How The Gogo Boots Got Started

Wednesday, July 6th, 2011
André Courrèges
by dovima_is_devine_II

How The Gogo Boots Got Started

Gogo boots have gained a slightly filthy reputation in recent years, due to their association with strippers and the sex industry, but this reputation is totally undeserved. They are an important part of any woman’s wardrobe, and it is important to try and salvage their place in fashion history. An item that can be worn with, and enhance, just about any outfit. They are fantastic for enhancing the shape of the leg, and are a surprisingly revolutionary piece of footwear – far from the preserve of strippers and sex industry workers; they are a liberating and eternally fashionable item to slip your feet into.

The term actually derives from a French expression. À gogo, meaning ‘in abundance’ is derived from the ancient French term for happiness, la gogue. This entered the English lexicon in 1962 as a term meaning ‘all the rage’, thus giving Gogo boots their name. But why are they so revolutionary? Well, the whole concept of a mainstream boot for women as a fashion accessory was totally unheard of, as they were worn only to keep women’s feet warm during winter and in rainy weather, and not as streetwear. They were designed specifically to compliment the fashions of the time, with short skirts like the miniskirt all the rage. They accentuated the shape of the leg on display, and also helped cover a bit of the leg – perfect for women who were a little unsure about flashing the flesh.

The designer André Courrèges is widely credited with creating the first ever Gogo boots. It was a low-heeled, calf-high boot created for his 1964 Autumn collection as part of the ‘Moon Girl’ look. These boots quickly became popular, and were soon mass-produced, and became a huge hit with girls dressed in the ‘Dolly Bird’ style in 1960s London. They were usually designed with a zipper up the back, or on the side, and were adopted by teenagers, which saw them worn by dancers on television shows, helping to further popularise them.

This popularity soon saw them become iconic. For example, the boots in Nancy Sinatra song ‘These Boots are Made for Walking’ are widely recognised to be Gogo boots. The boots became a part of pop culture when they were worn by Jane Fonda in the cult sci-fi film Barbarella. Such success saw other designers have a go at making their own version of the boots, with the height of the boot rising as the hemlines became higher and higher, culminating in Yves Saint Laurent’s thigh high garter boots. These in turn gave rise to ‘kinky boots’, calf- or thigh-high boots with a pointed heel, and were worn by Diana Rigg and Honor Blackman in the classic TV series The Avengers.

Nowadays, the Gogo boot has become a huge part of fashion worldwide, so it is important to move away from stereotyping it as a slutty item of footwear. It is one of the most revolutionary items of fashion wear to emerge from the sixties, and a key part of any woman’s wardrobe.

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Article from articlesbase.com

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Going Retro – Looking 1970′s Chic In The 21st Century

Tuesday, July 5th, 2011
André Courrèges
by dovima_is_devine_II

Going Retro – Looking 1970′s Chic In The 21st Century

<strong>Take for example the Mini Skirt.</strong>
Mary Quant, chanteuse of the swinging 60′s Carnaby Street, is credited as the first to reveal the ultra-short miniskirt. The mini was shocking, and not since the 20′s flapper had exposing your knee caused such a stir. Respectable ladies wore skirts at knee length, and young girls were supposed to follow the respectable path, but something happened when the daring Quant shortened skirts, and the world went mod.

Designer Andre Courreges is also credited with the mini’s creation, but Quant successfully commercialized the new freedom of teenage fashion, exposing the sexually explosive 60′s to the mini. The all-too-revealing miniskirt coincided with the birth of the sexual revolution, and exposed more than legs. The birth control pill hit the market in 1960, and in 1962, feminist and future Cosmopolitan editor Helen Gurley Brown published Sex and the Single Girl, a support manual for young women who refused marriage but didn’t want to sacrifice the most primal urge. Sex was everywhere, and even more shocking than girls enjoying sex was that they were talking about it. And the miniskirt was the best advertisement for the sexual revolution.

Girls could strut their stuff, free to expose their sensuality, and men were just going to have to deal with it! No more covering up, keeping flesh under wraps because of the consequences of temptation. The miniskirt boldly stated the new confidence of a woman’s body, and her place in the feminine world. Protection and ‘providing for’ was no longer what the 60′s gal wanted. She called the shots, and in her sexy new miniskirt, she got what she wanted.

The miniskirt has remained a major staple throughout the years, as a sign of both sexuality and confidence (though we should warn you that showing thigh won’t instantly turn you into an Amazon princess. The mini might make you look sexy, but the confidence part is up to you). The 80′s returned the miniskirt back to pure unadulterated sensuality when Madonna slithered across the floor in thigh-high, black lycra miniskirts. Paired with lace tights and mesh shirts that exposed the navel, the 80′s miniskirt was unashamed and in your face. The 60′s mini was mild in comparison to the body-hugging shamelessness of 80′s cotton lycra.

The mini-skirt received even more controversy when it found its way into the professional realm of the 90′s. Heather Locklear’s ‘Amanda’ on Melrose Place stirred up attention in her skirts that barely hung below the hemline of her suit jackets. Professional women were conflicted: yes, the mini-skirt made your legs look fabulous, but was this going too far? When Calista Flockhart’s title character on Ally McBeal received more attention for her skirts than for her law practice, girls had to wonder if the line had been crossed.

Hemlines rise and fall faster than the stock market—where liberated women are down on the exchange floor beside their fellow man, thank you very much. The true fashion icon of the 60′s, the mini skirt is fearless: it allows women to celebrate their sexuality, and yet defies the old fashion convention of yesteryear.

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Article from articlesbase.com

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